Thursday, April 9, 2009

Round, Round,Circumventing circuses,Lamenting in protest,To visible police,Presence sponsored fear,Battalions of riot police,With rubber bullet kisses,Baton courtesy,Service with a smileBeyond the Staples Center you can see America,With its tired, poor, avenging disgrace,Peaceful, loving youth against the brutality,Of plastic existence.Pushing little children,With their fully automatics,They like to push the weak around,Pushing little children,With their fully automatics,They like to push the weak around.Round, Round,A rush of words,Pleading to disperse,Upon your naked walls, alive,A political call,The fall guy accord,We can't afford to be neutral on a moving train,Beyond the Staples Center you can see America,With its tired, poor, avenging disgrace,Peaceful, loving youth against the brutality,Round, Round,Circumventing circuses,Lamenting in protest,To visible police,Presence sponsored fear,Battalions of riot police,With rubber bullet kisses,Baton courtesy,Service with a smileBeyond the Staples Center you can see America,With its tired, poor, avenging disgrace,Peaceful, loving youth against the brutality,Of plastic existence.Pushing little children,With their fully automatics,They like to push the weak around,Pushing little children,With their fully automatics,They like to push the weak around.Round, Round,A rush of words,Pleading to disperse,Upon your naked walls, alive,A political call,The fall guy accord,We can't afford to be neutral on a moving train,Beyond the Staples Center you can see America,With its tired, poor, avenging disgrace,Peaceful, loving youth against the brutality,

Monday, January 26, 2009

uhuu

Summary..chapter4

Word spreads throughout the town of La Paz that Kino will be selling his great pearl. The pearl buyers are especially excited, and the pearl fishers abandon their work for the day to witness the transaction. Over breakfast that morning, the brush-house neighborhood teems with speculation and opinion. Kino, Juana, and Coyotito wear their best clothes for the occasion, and Kino dons his hat with care, anxious to appear a serious, vigorous man of the world.

As Kino and Juana set out from their brush house, the neighbors fall in line behind them. Juan Tomás walks at the front with Kino and expresses his concern that Kino may be cheated, as Kino has no standard of true comparison to know what his pearl is worth. Kino acknowledges this problem but adds that they have no way of solving it. Juan Tomás tells Kino that another system of pearl-selling used to exist before Kino was born. Pearlers would give their pearls to agents for sale in the capital, but as a result of the rampant corruption of pearl agents who stole the pearls meant for sale, the old system is no longer in place. Kino points out that according to the church, such a system must fail, as it represents a vain effort on the part of the pearlers to exceed their station in life.

Kino and Juan Tomás walk on in silence into the city, drawing stares from assembled onlookers. As Kino, Juan Tomás, and the attending crowd approach, the pearl dealers scramble to put their offices in order, hiding their little pearls and preparing to make offers. The first dealer is a short, slick man who nervously rolls a coin back and forth in his hand. He explains after a careful examination that the pearl is worthless because of its abnormally large size. Declaring it more of a museum curiosity than a market commodity, the dealer makes an offhand bid of one thousand pesos.

Kino reacts angrily to this lowball offer and insists that the pearl is worth fifty times that much. The dealer firmly asserts that his is an accurate appraisal and invites Kino to seek out a second opinion. Kino's neighbors stir uneasily, wondering how Kino can reject such a large sum of money and wondering whether he is being foolish and headstrong by demanding more. Presently, three new dealers arrive to examine the pearl, and the initial dealer invites them to make independent appraisals.

The first two dealers reject the pearl as a mere oddity, and the third dealer makes a feeble offer of five hundred pesos. Upon hearing this news, Kino quickly removes the pearl from consideration. As he does so, the initial dealer, unfazed by the lower bid, insists that his offer of one thousand pesos still stands. Protesting that he has been cheated, Kino announces a plan to sell his pearl in the capital city. His outburst raises the bid to fifteen hundred pesos, but Kino will have none of it. He fiercely pushes his way out of the crowd and starts the long walk home as Juana trails after him.

At supper, Kino's neighbors debate the day's events. Some suggest that the dealers' appraisals were fair, while others think that Kino is the victim of a scam. Some think he should have settled for the final offer of fifteen hundred pesos; others praise Kino's bravery for insisting on his own terms.

Meanwhile, in his brush house, Kino has buried the pearl under a stone in the fire hole. He sits brooding, nervous about his upcoming journey to the faraway capital. Juana watches him while she nurses Coyotito and prepares supper. Juan Tomás then enters to try to warn Kino of the dangers involved in going to the capital, but Kino is adamant about selling his pearl to secure a better future for his son. Unable to convince Kino to heed his warning, Juan Tomás returns home.

That night Kino goes without supper. He sits awake to protect the pearl and continues to pore over the details of his problem. Juana keeps her own silent vigil, intending to support Kino with her company. Suddenly, Kino senses an evil presence. He rises, feeling for the knife under his shirt, and moves toward the doorway as Juana stifles a desire to restrain him. From the darkness, a man assaults Kino, and a struggle ensues. By the time Juana reaches the fray, the attacker has fled. Bloodied and cut and with his clothes torn, Kino lies sprawled on the ground, only half conscious.

Without delay, Juana helps Kino inside to care for his wounds. Kino admits that in the dark he was unable to tell who attacked him. After Juana washes out his last cut, she begs him in desperation to discard the evil pearl. But, more fiercely than ever, Kino insists that they must capitalize on their good fortune. He explains that in the morning they will set out in the canoe for the capital. Juana dutifully submits to her husband's plan, and they both go to sleep.

Monday, January 19, 2009

the pearl???

Once Kino beats Juana, he begins to lose everything as rapidly as he gained the Pearl of the World. Kino loses his self-respect as a husband by beating Juana, his integrity as a law-abiding citizen by killing his attacker, his birthright in the form of the destroyed canoe, and his home, burned to the ground by an arsonist. Furthermore, Kino's senses become “dulled by his emotion” in his determination to overcome adversity and gain what he feels to be rightfully his by selling the pearl. He has lost the capacity to feel guilt, so he doesn't regret striking his wife or killing another man. As Kino's ambition to improve his family's lot strengthens, his ability to see to his family's well-being weakens. He exposes his son to questionable medical treatment and abuses his wife, all to achieve the material success he wants for them.

Kino's attempts to safeguard the pearl predispose him to violence in defense of his property. In the heat of battle, he loses control and succumbs to his basest human instincts: he murders his assailant. Once he crosses the line from defender to aggressor, Kino suddenly finds himself with nothing to gain and everything to lose. After Kino kills a man, the thought of improving his family is lost—the only thing that remains is to save himself and his family. Kino associates himself with his pearl, remarking to Juan Tomás that whereas he once might have given the pearl away as a gift, his many troubles have grafted the pearl to him. Kino sees the pearl as both a burden and a promise, and refuses to give it up.

Amid Kino's monomania (obsessive focus on a single idea), Juana remains tethered to and trapped in an increasingly disastrous situation. Though she sees Kino as “half insane and half god,” she cannot imagine living without a man. Because of her position as a wife in a traditional society, Juana is necessarily subservient to Kino. She must follow what he views as his larger ambitions, even though her good sense cautions against it as their situation becomes increasingly desperate. Unfortunately, although Juana's good sense demands that the pearl—the essence of her former hopes—be throwOnce Kino beats Juana, he begins to lose everything as rapidly as he gained the Pearl of the World. Kino loses his self-respect as a husband by beating Juana, his integrity as a law-abiding citizen by killing his attacker, his birthright in the form of the destroyed canoe, and his home, burned to the ground by an arsonist. Furthermore, Kino's senses become “dulled by his emotion” in his determination to overcome adversity and gain what he feels to be rightfully his by selling the pearl. He has lost the capacity to feel guilt, so he doesn't regret striking his wife or killing another man. As Kino's ambition to improve his family's lot strengthens, his ability to see to his family's well-being weakens. He exposes his son to questionable medical treatment and abuses his wife, all to achieve the material success he wants for them.

Kino's attempts to safeguard the pearl predispose him to violence in defense of his property. In the heat of battle, he loses control and succumbs to his basest human instincts: he murders his assailant. Once he crosses the line from defender to aggressor, Kino suddenly finds himself with nothing to gain and everything to lose. After Kino kills a man, the thought of improving his family is lost—the only thing that remains is to save himself and his family. Kino associates himself with his pearl, remarking to Juan Tomás that whereas he once might have given the pearl away as a gift, his many troubles have grafted the pearl to him. Kino sees the pearl as both a burden and a promise, and refuses to give it up.

Amid Kino's monomania (obsessive focus on a single idea), Juana remains tethered to and trapped in an increasingly disastrous situation. Though she sees Kino as “half insane and half god,” she cannot imagine living without a man. Because of her position as a wife in a traditional society, Juana is necessarily subservient to Kino. She must follow what he views as his larger ambitions, even though her good sense cautions against it as their situation becomes increasingly desperate. Unfortunately, although Juana's good sense demands that the pearl—the essence of her former hopes—be thrown away, her subservience leads her to drag herself up and return the pearl to her husband.n away, her subservience leads her to drag herself up and return the pearl to her husband.